Silversun Pickups
[#] Neck of the Woods (2012)
Eerie, warped, and endless.
Reviewed September 10, 2023

This one sure split the base when it came out. Fuzz rock aficionados teaming up with the notoriously exacting Jacknife Lee and his polished production and coming out with an album more skeletal than shoegaze, aesthetically themed after horror films, all synths, dry guitars, tambourines, and eerie harmonies. The gamble paid off in the end, but Silversun's real sonic identity, their tendency towards the explosive and large scale, was never in danger. That winds up being its (slight) downfall as well as its greatest asset; Neck of the Woods feels like the first Pickups record that could use a radio edit.
Not a single song here falls short of four-and-a-half minutes. A lot of that time is used for excellent buildups and sonic mayhem: "Make Believe" has this awesome aggressive guitar strumming leading into a bridge of bent strings and banging snares, "Here We Are"'s sighing vocals and cold drum machines build a fittingly awkward and uncomfortable atmosphere, and "Mean Spirits" is a robotic stampede to soundtrack mutual romantic aggression. Other times, like "The Pit"'s unnecessary fake-out ending or the sonically wonked but musically aimless "Busy Bees", you wish they knew when to call it. Neck of the Woods isn't quite back-to-front flawless like their earlier albums—but that's still head and shoulders above most bands.
Essential: | "Skin Graph", "Make Believe", "Here We Are (Chancer)" |
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Quintessential: | "Simmer" |
Non-Essential: | "Busy Bees" |
Rating: | ![]() |